Label: Creel Pone - CREELP134

オリジナルは1982年にOrnamentよりリリースされていたドイツの国立音大関連のレア盤。毎度の如く未知の作家ばかりが名を連ねていますが、意外にも？シリアスな内容で纏められた激オススメの作品。特にUlrich Subeなる作家の女性のスピーチをボロボロに解体するコラージュ2作が良い。

>>SAMPLE<<

... 1982 compilation of late-70’s & early-80’s work composed at the studio für elektronische musik der staatlichen hochschule für musik und darstellende kunst stuttgart ...

... includes pieces by jürgen bäuninger (incredible transformations of “tam tam”, or gong smash / grabbings), klaus fessman (re-pitched string grabs, partch-like prepared piano & deep ominous bass cloudings, cut with random bleep), ulrich süsse (tongue-in-cheek narrations jump-cut at a rapid pace analog zaps, sound poetry & plunderphonics ; quite intense !!!), david mason-edwards (deep context-removal language-transformation study, based on gregory corso’s 1958 poem, using some quite grimy synth crackle), and erhrad (sic) karkoschka (oboe smear & pointillist tape-stutter par excellence) ...

... the common bond here is the embrace of dark, spacious musique concrète approach(es) to sound aggregation ; quite unusual (even this late) given the franco-germanic divide between schaeffer’s grm school & the wdr set (clearly this lot side with schaeffer !!!) ... an excellent set of music by some quite obscure names ; unheralded no more ...