Het Apollohuisからの名作が初復刻!!オランダ・アイントホーフェンの歴史的アートスペースHet Apollohuisが1990年に出版した、鈴木昭男氏の1st CD音源[Soundsphere]。美しい装丁のブック付きエディションとCD単体の2バージョンで発表された作品が、ジャケットデザインを一新しポスター付きにてRoom40より初復刻。氏の考案したオリジナル楽器の中でも群を抜いて有名な"アナラポス"と、"スズキ・タイプ・グラスハーモニカ De Koolmees"の円熟期演奏を捉えた名盤であり、特に"De Koolmees"による24分間に及ぶ音色の抑揚と脈動は凄まじいの一言。マットラミネート加工、エンボス加工スリーブ、インサートカード、6パネル折りたたみポスター付き。
Monocrhome printed, matte laminated and embossed sleeve with insert card and 6 Panel fold out poster.
A note from Lawrence English
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle.
Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him to explore an enormous sonic terrain. This freedom has also allowed him to develop a language in sound that remains utterly his own.
Nowhere is this more evident than in his approach to instrument creation. During the 1970s Akio Suzuki devised a series of instruments that would become his sonic signatures. The Analapos and De Koolmees are perhaps his most readily identifiable instruments and it is these two that make up the core of material from which Soundsphere is created.
Soundsphere, recorded in 1990 at Hut Apollphuis in Eindhoven, captures Suzuki at the height of his powers. It is a document of his music shaped by patience and dynamism, in equal measure. Few other recordings capture both the tenderness and the presence of Suzuki’s ways of discovering sound in his instruments.
On pieces such as Analapos A: Voice, he creates a wavering oceanic vocal drone that echoes up and down, tracing the coils of the Analapos’ springs. The results are simultaneously minimal and expansive, reminding us that sound exists in the vertical and well as horizontal planes. Similarly his performance on De Koolmees: Suzuki Type - Glass Harmonica shares this intensity of focus. Suzuki’s strikes and strokes on the glass tubes, creating an endlessly evolving array of tonal inflections and pulses.
Soundsphere, which is celebrating its 45th anniversary, is an essential capture of the ways in sound Akio Suzuki has developed over his now six decades of practice.
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