Label: Wah Wah Records

モーグ奏者として活動、電子音楽を探求し70年代初頭から中期までNarco Recordsより多くの名作を発表、並行してキュビズムやシュルレアリスムの影響下画家としても活動し、自身のLPジャケット・アートワークは全て自身の作品で統一したNicolas Pascal Raicevic。かのCreel Poneも過去に手を出した1972年名作[The Sixth Ear]のリマスターLPリイシュー版。サイケデリックな奇抜さとコスミッシェ・ミュージックを融合させた、独特のトリップ感溢れる電子音即興。



1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.
"Nik Raicevic's music is at the intersection of radical psycho-electronic weirdness and kraut kosmische music (in particular the scifi-hypno-minimal modules of Conrad Schnitzler in Grun, Rot and Blau). It presents mega epic & tripped out electronic improvisations.