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V.A "Spectra Ex Machina / A Sound Anthology of Occult Phenomena 1920​-​2017 Vol​.​2" [CD + 32 page Booklet]

価格: 3,377円(税込)
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Label: Sub Rosa

ベルギーSub Rosaが展開する激ヤバ・アンソロジー3部作!!本作はタイトルからもお分かりの通り、所謂オカルト現象に関する記録を音とテキストで纏め上げた大変貴重なシリーズもの。第二弾となる本作は"音楽及び音に関する超常現象"にフォーカスした作品。本作、霊的現象を別にしても兎に角音源の自体の内容が非常に面白く、降霊術や交信の為のサウンドの素晴らしさを余す事なくじっくりと確認出来ます。32ページブックレット付き。大推薦。











The Anthology Spectra Ex Machina brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology through the exploration of spiritualism and haunted houses (vol. 1); musician mediums (vol. 2); experiences of extrasensory perceptions (clairvoyance, psychokinesis, etc.) and electronic voice phenomena (vol. 3).

The link between music, sound and the paranormal is manifested in many different ways. Gerard van der Leeuw, the Dutch historian and philosopher, wrote "Music represents the great struggle of reaching the wholly other, which it can never express". Furthermore, "The effect of music on the emotions is so mysterious as to seem magical. There is no logical explanation why a particular combination of musical notes, whether in the form of a tune or of a simple chord, can affect the heart. Nothing in nature has perhaps so persistently resisted explanation",
as said Derek Parker, the British journalist. Since music is arguably the most intangible of the arts and since the paranormal, in all its manifestations, continues to intrigue people, the placing of these two
subjects together seems obvious. This second volume of musical and audio anomalies continues and expands upon the works initially reproduced in the latter. Rosemary Brown makes a welcome re-appearance, especially with a performance of Grübelei via Liszt, as well as the Caruso-inspired tenor Leo May making a repeat performance. Few people realize that both Anton LaVey and Aleister Crowley were quite fine musicians and Alex Sanders was also interested in music. The background music of Wagner's Tannhäuser used by the latter combines both pagan and Christian elements. So close your eyes and let the magic of sound take over!