Label: Folklore Tapes

当店激推しレーベル英Folklore Tapesの音源!!英国のディープな民俗学を探究、長年に渡り広く収集されてきた歴史のイメージをアブストラクトな音楽と実験的ビジュアルで作品化する、まさにインディペンデントな活動を行っているFolklore Tapes。本作はこのレーベルが初めて海外のネタにフォーカスしたという、フランスはブルターニュの田舎の村に住んでいた"魔女ナイア"の音響研究作。1899年に雑誌に掲載された本人の写真や記事を元に制作した作品で、音源はAguirre Recordsより狂ったフォーク作でデビューしたLe Diable Degoutantと、Folklore Tapesの設立者/研究者David Chatton BarkerのユニットLe Voile Universelが担当。オドロオドロしい情景からユニークなリチュアルサウンドまで、怪しさ満載の魔女サウンドが飛び出す超傑作。帯付きリトグラフプリント・ジャケ、なんと魔女ナイアが住んでいたロシュフォール＝アン＝テールにある"ナイアの木"の押し葉が付属。



Folklore Tapes first foray overseas finds them in the rural Breton village Rochefort-en-Terre. Once inhabited by the renowned witch Naia, who along with her ‘spirit stick’ familiar ‘Gnami’ cured ills, cursed locals, split in two and crushed hot coals into dust using her hands!

Naia is a collaboration with Brittany arts group Le Bon Acceuil and features two distinct sonic explorations into the infamous witch, largely based around the only known article and stunning photoshoot by journalist Charles Géniaux, published in World Wide Magazine in 1899. Face A is by Breton musician Pauline Marx AKA Le Diable Dégoûtant, Face B is by UK group Le Voile Universel (The Universal Veil) AKA Sam McLoughlin and David Chatton Barker.

The residents of rural Breton were leaving the country for the cities. Many aspects of the traditional folk culture of the time were on the verge of disappearing. The photographer Charles Géniaux (1870-1931), was keen to document these traditions. To this end, in 1899, Géniaux wrote an article for The Wide World Magazine about a witch who lived in the picturesque town of Rochefort-en-Terre, situated in the south of Brittany. The article, entitled Naia, the Witch of Rochefort, describes Géniaux’s meetings with Naia in the ruins of the Château de Rieux, as well as his conversations with various locals who had encountered her over the years. According to these locals, we learn that Naia “travels on a broom through the air—or maybe underground—when she does not want to be seen going on her errands; that she fears neither fire nor water, disappears when she likes, and takes any shape that may suit her purpose.” Furthermore, Naia is capable of “picking up red hot coals, which she crushed with her fingers and scattered to the winds.” She also tells Géniaux of Gnami, a powerful spirit who lives through her and obeys her every command. The photos which accompany the article show Naia facing down the lens, piercing the viewer with her look, beseeching us to meet her gaze across the years.