Label: Creel Pone

謎多きスイスのカルトレーベルLes Disques De L'Art Gueが80年代後半に出版した2枚のLP、Fizzeによる[Kulu Hatha Mamnua]と、Gilles-Vincent "Dizzi" Riederの[Manoeuvres D' Automne]を一つに纏めたCreel Pone編集再発版。両作とも同じ界隈で活動したミュージシャン達が集まり完成させたグループ編成による作品で、その奔放過ぎる構造に圧倒される事間違い無しの超名盤。プランダーフォニック、ミュージックコンクレート、サイケデリック、民族音楽を自由に行き来する音楽性は是非体感すべき。6パネルスリーヴ仕様。





August 2022; appearing here in the much maligned "199.X" serié is this two-fer single-disc compiles both LPs released on the Swiss "Les Disques De L'Art Gué" label in the mid-80s, collecting the work of a tight-knit cadré of musicians working on & around each other: Victor "Fizzè" de Bros, Gilles-Vincent "Dizzi" Rieder, Laurent "Lorenz" Viennet, & Serge "Djodjo" Baudat, all working out of the former's Mensch studio.

Much like other recent "Edgelord" C.P. offerings (i.e. the Philippe Doray, [CP 215 CD], or possibly the Regrelh, [CP 209 CD], but definitely the Alain Saverot, [CP 268 CD], and certainly the Geographically-related Jan Beran, [CP 218 CD]) this wades uncomfortably close to genre musics (as with the first two aforementioned: RIO, or "Rock In Opposition") but it was through the constant pleas of one of the core C.P. cognoscenti (over the span of several years, no less) that I began to see the light, as such the C.P. "Cabal" are proud to present this set of arguably Fourth-World-leaning music, rife with studio trickery/treachery, cutting the "Tribal" hand-drumming w/ long stretches of Electro-Acoustic drone & other sundry affects to yield a compelling worldview unlike any one other thing I can summon.

This edition comes with all relevant imagery from both titles laid out across an (eye-popping; I must say this is one of the better-looking titles in recent times) 6-panel booklet, plus an additional greyscale number offering the details from the printed inner sleeves/inserts of each.