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Telaio Magnetico "Live 75 / Expanded Version" [LP]

価格: 3,487円(税込)
Label: Black Sweat Records - BS057

テリー・ライリー、ラ・モンテ・ヤング、更にはアルヴィン・カランのファンまでを魅了した、Black Sweat Recordsが2017年発表したイタリアのスーパー・グループTelaio Magneticoの75年唯一録音[Live 75]。LP版のみのリリースでしたが2020年にやっとCDエディションが出版。NWWリストの[Fetus]なども残すイタリア音楽界の超大御所Franco Battiatoを中心に、Roberto Mazza、Lino Capra Vaccina、マルチインストゥルメンタリストGiacomo Di Martino、その妻Terra Di Benedetto、Juri Camisascaがボーカルで参加した、本当に超豪華メンツが集った奇跡の集団。ささやき声、また過激な叫びによるインプロヴィゼーションボーカルは、グレゴリオ聖歌やチベットのチャントを思わせ、またそれらを包み込む怒涛の瞑想演奏との調和も唯一無二。大推薦。

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Reissue with unreleased tracks from the only one tour of this super group composed in 1975 by Franco Battiato, Lino Capra Vaccina, Juri Camisasca, Mino Di Martino, Roberto Mazza, Terra Di Benedetto.
In the mid 70's the Italian underground scene also seemed to mature an existential priority of yearning toward a new psychological universe, with the firm idea to colonize an uncharted space of a necessary and infinite path of spiritual redemption. In this context, the short experience of Telaio Magnetico was born from the confluence of the Battiato’s experimental efforts in works such as Sulle Corde di Aries, Clic and M.elle the Gladiator and the Albergo Intergalattico Spaziale’s new esotheric electronics. Mosaic of metamorphic sounds and frequencies of unfamiliar constellations, the music of Telaio is a imaginary trimurti of “energy-cosmos-mind”. Synths and lowrey organs draw sidereal labyrinths and landscapes scanned to infinity by a harmonic percussions arsenal. Whispering and radical impro-vocals are lost as delusional fugues in centrifugal vortices and at the same time seem to offer a compendium of religious chants which evoke both Tibetan chorus such as Indian pujas or the Gregorian tradition. Re-emerge sometimes Sufi cadences and relaxations or pastoral-tribal elements on which the chamber carpet of oboe blows like Arabs, Egyptians or Moroccans pifferos. That traced is not only a galactic river but also a Mediterranean circumnavigation: a unique creative moment that in addition to the references with the German Kosmische Musik and the British space-rock seemed to be perfumed by the influence of Gurdjieffian mystic and had roots even in minimalist drone of Terry Riley and La Monte Young as well as parallels with the contemporary research of authors such as Alvin Curran and the following explorations of Futuro Antico.