Artificial Memory TraceことSlavek Kwiと、DVDフォーマットを使った特殊な環境音作品を制作しているDavid Michael(ここGruenrekorderからも単独リリース有り)が共同で行った、南アフリカ北東部リンポポ州のサウンドスケープ録音。夜明けの湖、広い乾燥地帯、昆虫/動物の声、加工なしのそのままの音にも関わらず非常に音楽的。かなり濃密な2CD。
Note from unwritten diary of David:
3:45 AM. Time to get up. The Bushveld is already awake.
Slávek and I are both dragging a bit, rushing to get out the door and deploy.
After almost two weeks of nonstop recording, we are both tired and a little homesick.
At this point in the residency we have already found a dependable dawn recording location in a dry creek bed just far enough away from Weederdooper homestead so that our microphones will not pick up breakfast activities and just close enough for us to make it back for a nap before the morning field session. In a strange way this location reminds me of another of Slávek’s favorite recording spots on a small tributary flowing into Lake Mamori in Brazil. Slávek and I share a room at Weederdooper, which makes these dawn sessions simple. Our equipment too tends to share space in locations we scout together during many of the field sessions. We each now have many recordings of the exact same events, but from slightly different perspectives. The dry river bed at Umzumbi, the hippos at Mmabolel Rock, the bridge to Botswana, the watering holes. Perhaps when we get back home we will make a CD together.