Vol1と合わせて是非！！ Pekka AiraksinenやMartin Bartlett、Ruth Andersonという、非常にマニアックな音楽家の再発を行うArc Light Editionsによる人気シリーズ！！本作はスコットランドのヘブリディーズ諸島に受け継がれるゲール語による讃美歌を集めた非常に貴重な音源集！！リハーサルは一切無し、2003年10月にルイス島のバックフリー教会で2晩かけて録音されたものを、2部作としてLP化した第二弾作品。まさに大きな波のうねり、空間を壊して転がりまくる異次元の集団歌唱。コレは是非体感すべき一枚。マスト。
Following a sold out run of Salm Vol.1 we are closing the year with a second volume of Gaelic psalm singing. The recordings documented here are from the same psalm singing sessions as the first, and both together represent a complete series.
This is music that is transcendent and together, about the individual and the earth, movingly spiritual with or without belief. The sound comes in great waves, swells of sound that break and roll around the space. The texture relies on the individuals: this is group singing where the individual is preserved, elevated, but together.
The recordings of Gaelic Psalm singing presented in the release are among the best ever captured. They document a living tradition, a form of religious singing from the Hebrides in Scotland, which is still practiced in Lewis. In Gaelic psalm singing, a precentor leads, and from here voices follow, moving together in great swells like the murmurations of birds.
These recordings of Gaelic Psalm singing were originally made over two evenings in the Back Free Church on the Isle of Lewis in October 2003. The singing was spontaneous and totally unrehearsed. The recordings are now presented on vinyl for the first time by Arc Light Editions.
A precentor leads off with the first lines of a psalm, and the congregation follows, some faster than others, and each one remains discernible. In his notes to the original release, Calum Martin writes that the form, called precenting (where one person puts out the line and the congregation responds) while not exclusive to Gaelic free church traditions, is in Lewis particularly influenced by the pibroch style of free ornamentation. It’s through this, he says, that the distinctive emotional swell of sound emerges. The sound relies on the congregation’s individual responses to the melody and the individual precentor’s leading. The musical term is free heterophony.
Arc Light Editions has worked directly with DR Macdonald at the Bethesda Hospice and Calum Martin on this release, ¬and we thank them for their time. A portion of the profits from this release go directly to Bethesda Hospice, in accordance with the original release.
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