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Winfried Ritsch "Woodscratcher" [Picture LP]

価格: 3,267円 (税込)
Label: God Records - GOD10

大大大推薦!! ほぼアナログLPを中心とした出版を行うオーストリアのアヴァンギャルドレーベルGod Recordsの作品。演奏マシンの制作からプログラミング、そして作曲まで全て自分でこなす稀有な音楽家Winfried Ritschによる、なんと自身の作曲作品を"木材カットマシン"に演奏させたという恐ろしい録音!!4つのピックアップマイクで機械の音を拾い、それを会場の四隅に設置されたスピーカーより流すというパフォーマンスの録音で、演奏内容は徐々にパターンが変化していく「ガリガリッ、ギーコッギーコッ」という切断音の反復。Senufo Editions系のミニマルで生々しい感触を求められる方には絶対オススメ!!実際に使用した木材をプリントしたピクチャーヴァイナル、システム詳細のインサート入り。

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Composition
With this performances not only the machine as performer is broached as the issue, also the exploration of unknown material is an artistic statement as also defining the structured and timing of the piece. The aesthetics lies in the excessive performance beyond feasible by a human actor or musician and also, links the many possible associations and associative to the world of music performance. One of them is the sound based on the noise of the experimental music pieces since the 70s and another with ideas of Herbert Bruen's computer music project sawdust from that time, when the rejection of oscillators as a tone generator for free definition of single events down to the scale of samples as a liberation of note-oriented Music generation.

The transition in algorithmic composition to the composition of processes as instrument like done in live composition is expanded to the construction of a mechanical machine which is the live composer. The main aspect of this is that the process does the composing and the machine is composed for executing the process of extracting the piece out of the disc of wood, destroying it and defining the audible result of the piece. So composer becomes a mechanical engineer and inventor of machines and the musician the operator as machinist.

The picture vinyl release is vinyl simulation of woodscratcher: a vinyl record has a picture of a wood on itself and recorded sound of scratching the wood