Label: Dead Mind Records
オランダDead Mind RecordsのオーナーJohnny van de Koolwijkが非常に強い個人的思い入れでリイシューを継続している、本国オランダの伝説的シンセサイザー音楽家Enno Velthuysの諸音源。フルクサス創設に関わったWillem de Ridderに才能を見出され音源制作を続けた人物であり、本作は1987年にExartよりカセットリリースされた4thアルバム[Different Places]。2022年に一度復刻されたタイトルですがそちらは瞬殺完売、本作は新たにグリーン・カラーヴァイナルにて制作された2ndプレス版。程よく軽やか、そして時に危うい陰が出現する歪なミニマル・アンビエント11編を収録。この妙なメランコリックな感触は是非体感すべき。オリジナルマスターテープを使用したリマスター仕様。
Continuing the reissue campaign of legendary synthesizer artist Enno Velthuys, we are proud to offer the Different Places LP. The original tape from 1987 was the second tape Enno produced for EXART and it was his last work before he disappeared into obscurity. By this time, he became disillusioned by the cassette network and his mental condition sadly deteriorated. With Hessel Veldman, label owner of EXART, getting more interested in experimental music, they were both moving into different places and eventually lost contact.
Willem de Ridder and Enno stayed in close contact. Enno composed background music for some of his radio shows. Willem would release some of these recordings through his own label, Radio Art Foundation. For the limited version of this LP 4 cassette covers, drawn by Peter Pontiac, are added as additional prints.
Enno was a perfectionist, always looking for better equipment. When listening to the original master tape of Different Places it turned out it had a real nice, clean sound. Definitely an improvement over some of his earlier material. While mastering these songs for vinyl in 2021 we tried to stay as close as possible to Enno’s original intentions. Different Places is probably his most coherent work and includes some magical chord progressions. Shades of Erik Satie and Hiroshi Yoshimura mixed with immersive, spacious, cosmic ambient. Melancholic but less claustrophobic when compared to predecessors Glimpse of Light or Landscapes in Thin Air.
While the LP was in production, we were contacted by someone who just bought a framed 1967 drawing from a thrift store, made by Enno. In the 60’s he was playing guitar for various bands and although his father was a famous illustrator of children’s books nobody knew he was also doing these large drawings back then. We are very pleased that we were able to add this amazing piece of art to this publication as an insert.