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Keith Fullerton Whitman "Epithets" [Cassette]

価格: 1,397円(税込)
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Label: Hi-Res AUDIO - H-RA-008

過去にディストリビューターMimaroglu Music Salesを主宰、現在は主にモジュラーシンセを使いエレクトロ・アコースティック作家、コンポーザー、プロデューサーとして動いているKeith Fullerton Whitman。2020年から開始した自身のプライベート音源を全48部限定のカセットフォーマットで出版するHi-Res Audioシリーズ。本作はハイブリッドなアナログ&デジタル・モジュラーシンセサイザーのパッチにて自動生成された全44分の音響彫刻/空間作品[Epithets]。初期のミニマル的構造を特徴としつつも、中盤辺りから一気に激流の様なド派手な展開へと変貌する非常にスリリングな傑作長編。Jカードのデザインも美しい。

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Epithets (2015) is a 12-channel, 44 minute electronic work composed for Tony Myatt & Oli Larkin's "The Morning Line;" a 53-channel hybrid sculpture / Acousmatic space currently installed in front of ZKM in Karlsruhe, Germany. The premiere was made as part of Insonic festival on the 24th of November & the piece was entered into the regular circulation of the sculpture, enjoying nightly performances from the 26th on.

Created specifically for the Morning Line, 'Epithets" is based around a generative, self-automating Hybrid Analogue-Digital Modular Synthesizer patch that applies principles of Werner Heisenberg's research on "Turbulent Flows" into a series of sub-dividable motor-rhythm arcs that freely wander across the internal sound-fields of the sculpture.

While structurally similar to early Minimalism, the piece incorporates gradual, almost subliminal shifts between modal & nonlinear tonalities that only become apparent over the piece's complete duration.