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Alessandro Bosetti "Plane / Talea" [LP]

価格: 2,827円(税込)
数量:
Label: Holidays Records - HOL 096

人間の会話やコンピューターのスピーチ機能を使い"声"にフォーカスした独自のサウンドアート作品、音響制作を追求してきたイタリアのサウンドアーティストAlessandro Bosetti。アルスエレクトロニカ受賞作の[The Notebooks]の完成度はとにかく素晴らしいものでしたが、本作も同様に非常にオススメしたいミニマル・スポークンワード。ボーカルポリフォニックを利用した不可能な合唱団というコンセプトのもと、細切れにされたコーラスが様々に変容しつつアンビエンスを纏った催眠反復として続く[Plane / Talea]。この単調な感覚はかなり気持ち良いです。ジャケットはエンボス仕様。





The cycle of compositions collected under the title Plane/Talea reflects my interest in vocal polyphonic music. They envision an "impossible choir" constructed through the sampling of thousands of fragments and pieces of voices, my own and those of others, and their recomposition into polyphonic garlands and textures. This cycle can be intended as the utopic sonification of an impossible community in which the voice is atomized into primary particles and later reconstituted into sonic masses and clouds. These are too dense and complex for a chorus of real human beings to sing. The music of Plane/Talea" is the sonic projection of such a community. The voice is not processed or altered in any way but subjected to molecular reorganization. Theoretically, a hyper-chorus could sing material of this type but, perhaps fortunately, such a choir does not yet exist. Up until now, in the process of creation of my vocal music, I've kept two poles and influences in balance: that of madrigalism in its late renaissance and contemporary incarnations and that of hyper-polyphony, which is close to spectral music. Though not ever having actually written in one or the other of these two styles, I've always felt this unresolvable and fertile tension in my work. (A.B.)

Recorded, composed and mixed by Alessandro Bosetti at GMEM (Centre National de Création Musicale in Marseille). Additional recordings by Attila Faravelli at Spazio O', Milano. Mastered and cut by Rashad Becker at D&M, Berlin.

Pressing info:
300 copies on black, embossed lettering