Label: Emitter Micro

LPフォーマットのみの出版!!電子デバイスのみを用いた素晴らしいテクスチャーのサウンドスケープ!!90年代よりジョン・ケージの電子音楽作品の演奏および自身のサウンドパフォーマンスを開始、小杉武久氏、村井啓哲氏ともコラボレーションを行い、ここEmitter Microを主宰し自身の音源出版も行っているサウンドアーティスト森本誠士氏。同じく美術と音楽を跨いで活動するアーティストAndreas Vocciaと共作した、デジタル処理は一切行わず、純粋且つ生々しい電子デバイスのサウンドのみで構成した抽象サウンドスケープ作[kamaitachi 鎌鼬]。タイトルの通り"カマイタチ"の現象をコンセプトに制作されたもので、3匹のイタチが人を襲い、切りつけ、軟膏を塗るという一連のプロセスを、「倒す（TOU）」「斬る（ZAN）」「癒す（YU）」という3曲で構成。一貫したソリッドな電子音のみでの構築が非常にカッコイイです。







Seiji Morimoto and Andreas Voccia are two artists who collaborate to create immersive electronic soundscapes that explore the intersection of nature and technology. Using self-organized electronic devices, they craft abstract soundscapes that are made entirely of pure and raw electronic sounds, with no digital processing involved. In their live performances, Morimoto and Voccia seek to invoke artificial realities and offer audiences a glimpse into the hidden principles of process and resonance found in nature. By using electronic feedback, they create a unique and unpolished sound that invites listeners to consider the inner workings of these artificial environments.

As artists working inbetween the fields of fine arts and music, Morimoto and Voccia are interested in the
power of sound to communicate and convey meaning. Their abstract soundscapes offer a thought-provoking and immersive experience, inviting audiences to contemplate the relationship between technology and nature, and the role that electronic structures play in our lives. Overall, the work of Seiji Morimoto and Andreas Voccia is a unique and compelling exploration of artificial realities and the hidden principles of process and resonance found in the natural world. Kamaitachi is a whirlwind that leaves small, unnoticeable wounds on arms or legs. In Japanese mythology, three weasels attack people, cut them, and apply ointment. Inspired by this myth, they created an album with three songs: "To Fell (TOU)," "To Slash (ZAN)," and "To Heal (YU)."