Label: Fungal

英作家Darren TateのレーベルFungalから新録を発表!!同国イタリアの大ベテランにして重要実験音楽家Giancarlo Toniuttiの実の兄弟としても知られ、サウンドデザイナーという側面も持ちつつ80年代初頭より活動を続けるMassimo Toniutti。2007年に制作、当初は環境音作品として構想され、樹齢数百年の巨木に吊るされた専用スピーカーでループ再生されたというインスタレーション作品[6 Pellicole ad anello]。この音源をもとにステレオバージョンとして再構築したのが本作[Shanghai Files]。断片的な音声、小気味良い響きの物音が、絶えず変化する巨大な持続音の波へと飲み込まれる新たなアプローチ。マスタリングはColin Potterが担当。



Shanghai Files (6 or more ring-shaped films)

This is a new partitura of a sound work whose origins date back to 2007. Initially conceived as an environmental piece, it consisted of six pre-recorded sequences of different lengths, each looping on its own speaker suspended from a large, centuries-old plane tree. The setting was the garden of a historic villa.

The original installation was titled "6 Pellicole ad anello" (6 Ring-Shaped Films), echoing loops and growth rings alike — ideally protective sound films.

In the unusual year of 2020, I dusted off those old audio files — including some alternate takes — and created a home-based quadraphonic version, which I eventually mixed down into a stereo snapshot of its ever shifting layers and shared through a month-long series of radio broadcasts.

This stereo adaptation took on a different name. I pictured the sound files like sticks from the game Shanghai: held in the hand, then released — falling into a chance pattern, a circle of sound shifting with each new drop. Hence, "Shanghai Files."

The new partitura began to take shape when Darren Tate asked me for a full-length work to inaugurate his newly founded label, Fungal Editions. I sent him an earlier version of what would become the main piece — he readily approved it as a fitting start to the project. That prompted me to revisit the material and expand it with two additional tracks.

The composition eventually found its final form — revu et corrigé, so to speak.

I actually had a second, much shorter track on hand — a sort of offshoot of S-Files. While the first leans more toward ambient, this one edges closer to the domain of radio art, with cut-ups and sonic manipulations that suggest a more radiophonic intent.

At that point, space had opened up for a further development — there was a need for a 3rd chemical bath. The title speaks for itself: a slow, metamorphic wash that alters, dilates, and reconfigures a chosen cluster of the ring-shaped films.

"Shanghai Files" partly draws on material from my documentary soundtrack work around 2007, when I would process sound to create specific backgrounds — or what I came to call “tints.”
The voice, originally recorded for those documentaries, by contrast, was later isolated and broken down into tiny, luminous fragments that subtly come to mark the main piece.

The release comes in a beautiful 6-panel Ecopack. Over the years, Darren has shared with me a number of nature photographs, which I’ve finally woven into a delicate visual montage. And our collaboration doesn’t end here…

To Gualtiero Toniutti
27.4.1961 – 31.5.2023