Label: Chocolate Monk
意味不明な手作りオブジェケースのカセット作品を出したり、マニア向けの極小Latheカット盤を作ったり、その活動そのものが怪し過ぎるアウトサイダーChad AllenのソロユニットForrest Friends。叙情的アコーディオンや歪んだパーカッシブな粒をスローに落とし続け、プリミティブで気持ちの良い音場を構築していきます。60部限定。
"In an old issue of a London-based porn mag, the one with Funko Geräte on the cover, an essay attempts to recast Esplendor Geometrico as a Massachusetts freak-folk band. With the appropriate dosage, anything’s possible. Probably. Maybe they changed their name and emigrated from Spain and due to a translation error ended up in Seattle. Who knows what’s real and what’s made-up with that publication.
From Forrest Friends’ opening herald announcing the commencement of a marathon sweat lodge cotillion, where consensual flora gropings and various pagan engorgements run their respective courses until the inevitable dousing of the nethers with ritual electronic ooze, to the spent, post-credits vibe of a homemade horror movie, this album resembles little in the Chocolate Monk catalog. The duo’s debut release for the label was recorded by the side of the road in the middle of the night, naked but for banana-leaf loin cloths bound together with twine, crouching in the mud, staring intently at a nematomorph exiting the used-up husk that had been a typically happy-go-lucky praying mantis before the zombifying parasite took over its brain. This thirty-eight-minute disc’s high-primitive hoot coaxes spirit lizards out of a secluded northern-facing lichen shack and forces them to march on an infinity-symbol-shaped path, invoking visions of communion with First Nations spasticity. Patches of impaired fidelity, damaged by overdriven sound, smear the otherwise intimate recordings with heavy whiffs of opium cinders and Wiccan-roasted genetic structure that’s mustier than an old towel full of three-day-old phat si-io.
Everybody loves the idea of a lost world. Well, here’s one with hypnotic yelping, otherworldly accordion, dreams of the pipe, and processions of re-animated wooden children invoking the great drillbit in the sky to exact vengeance on the new president of Brazil." - Seymour Glass
Edition of 60