Label: Empreintes DIGITALes
- IMED 18151
ターンテーブル奏者として、またサウンドアートやコンセプチュアルな録音も残したりしているマルセイユの人気作家eRikmがEmpreintes DIGITALesシリーズに登場。大晦日のベルリンの街に花火が激しく飛び交うカーニバルの風景のコンクレート、氷、空気、ガス、火などを用いたプリミティブな雑音作、また生前よく絡んでいたリュック・フェラーリを思わせる環境音ものなど、2013~2016年までの非常に質の高いスタジオ録音で編成されています。マスタリングはGiuseppe Ielasi。
“Draugalimur” (2014-15, 16).
Draugalimur (Phantom Limb, in English) is a crossing from the intimate to vast open spaces, traversed by the elements in motion. Ice, air, gas and fire are in perpetual activity in the chaotic and primitive far off. It resembles the more than five hundred million years ago surface of the earth.
“Poudre” (2013, 16).
Poudre was a puff of nocturnal aroma on the Berliner asphalt of the Eberswalder Straße in Alexanderplatz (Germany). New Year’s Eve, where everyone lits a firework in front of their apartment building, evokes an acoustic afterglow echoing with the history and architecture of the city. From this popular event comes a subjacent feeling that oscillates between a state of insurrection, movements of rebellion or of a carnival party.
“L’aire de la Moure 2” (2013; arr. 2015-16).
It was not my sense of telluric magnetic or vibratory power, as when one is facing with a glacier, a rainforest or when making the experience of being in the middle of the Roland rift…
eRikm is an improviser, composer and visual artist based in Marseille (France). He has extended the field of artistic experimentation on the international scene. Maintaining a constant fusion between thought, instinct and sensitivity, eRikm pursues a simultaneity of practices and addresses the interplay between various compositional modes, relating to and using all languages.
From his early experience as a guitarist through to his later visual work, he is a maverick genre-bender who breaks down anyone’s attempts to conveniently classify him. Quickly recognised as a virtuoso turntablist and sound artist (1996), eRikm has made a longlife habit of crossing “world-systems” deemed ‘independent’ and ‘institutional’ and all territories.