Label: Institut for Dansk Lydarkæologii
- IDL 11
2017年に二枚の名作LP [Ambiances]、[Images]が再発され話題となったデンマークのサウンド・エコロジストのパイオニアKnud Viktor。その偉業を成し遂げた本国の発掘団体Institut for Dansk Lydarkæologiより初出の秘蔵音源が登場。77年にフランスのラジオ局France Musiqueによって依頼された作品で、昆虫、鳥、動物、水の音が持つ固有のメロディー & リズムに合わせ、時折自身の詩の朗読も合わせたりする、本当に優れたセンスと良い耳を持った人物にしか成し得ない世界を構築。画像の通り大きな24ページブックレットも付属する、180グラム重量盤仕様。
The lost masterpiece Les Éphémères by the self labeled ‘sound painter’ Knud Viktor (1924-2013) now sees its first ever release by Institute for Danish Sound Archaeology – 40 years after it was conceived. Viktor’s pioneering work – his Images Sonores – are composed of field recordings of insects, animals and the his surroundings.
A finished master tape and even a complete cover layout for Les Éphémères was found in Viktor’s archives after he passed away in 2013. The phenomenal piece was originally commissioned by the French radio station France Musique in 1977. The twenty short ‘sound images’ of Les Éphémères were originally broadcast as vignettes in-between other radio programs.
From the middle of the 1970’s Viktor began composing almost exclusively for four channels. He invented his own intuitive quadraphonic mixer – the Tetramix – to realise his spatial visions for his Image VI – The Lubéron Symphony, and from then on worked with quadraphonic sound, thus making the release of his works difficult. Les Éphémères is close in time and also holds close ties to The Lubéron Symphony, which Viktor considered his magnum opus. Perhaps most strikingly is the shift in the way he uses the recordings of insects, birds and animals in both The Lubéron Symphony and Les Éphémères: Often untreated and clearly recognizable, the field recordings leave the inherent melody and rhythm of the animal sounds to sing for themselves, layering recordings to create simple and elegant sound images. In two of the twenty pieces Viktor’s own voice blends with the animals, as he recites two poems. One about the singing vineyard populated by musical crickets, the other painting an autumn picture with wine bubbling in the barrels as we hear the wine flies humming.
Viktor’s work emanates with a tremendous love and fascination with his companion species and the landscape and geology that surrounded him. His works are devoted to depicting the life on the mountain where he lived for fifty years. Hearing how the ecology of the landscape changed as commercial farming and pesticides took effect, a larger perspective in his work became clear to him:
"As it turns out, my work has actually set many things in motion; it touches upon something universal that I feel I have a duty to convey to others. A duty that I feel as a citizen of the earth. Not as a human citizen, but as a citizen of the earth. It may sound pretentious, but this is a question of generations to come." – Knud Viktor